Sara’s practice is grounded in a classical sculptural training, now evolving through a contemporary ceramic lens. Her work explores the human condition our vulnerabilities, histories, and connections while drawing on myth and nature for depth and resonance.

Whether working in portraiture or broader figurative forms, she is interested in how clay can hold presence, emotion, and truth. Her ongoing enquiry centres on what it means to be human, and how material, maker, and subject come together in a shared search for meaning.